The scene becomes dramatically still and silent. Out of control and auto parts flying, the energy finally dissipates and The episode that Carter remembered begins with an elaboratelyĬhoreographed, multicar pileup. Hulot and his teamĪre responsible for transporting the prototype of a new camper from theĬompany's base in France to an automobile exposition in Amsterdam,Īnd the film chronicles their exploits on the ultimately fruitless Hulot-works as an automobileĭesigner for the fictitious Altra car company. The idea of using a scene from Trafic as the HeĬhose Griffiths for the project himself and the two remained in frequentĬontact, each making essential contributions as the scenario and There is no question that Carter got the libretto he wanted. Is a product of the opera's reception history that has obscured its "skewed fit of libretto and music" that David Schiff has noted Reference to a host of musical and theatrical conventions, but the The opera's characters by a standard of theatrical naturalismĭescended from Mozart and Verdi. Half-century-old tradition of Absurdist theater, most critics measured Nearly universal acknowledgment of the libretto's debt to a Compounding the confusion was that, in spite of
Lack of a significant connection between the two quickly becameĬonventional wisdom.
Repeatedly downplayed the film's influence on the opera, and the Next? is based on Jacques Tati's 1971 film Trafic, but Carter Libretto." (1) It was widely reported that the scenario of What Asked in 2008 what he hoped Carter would write next,īarenboim replied "A big, evening-long opera with a captivating Perhaps the unkindest cut of all came from Danielīarenboim, who had arranged the commission for What Next? and conducted Nonsense poetry predicated on profound gibberish," was Martinīemheimer's conclusion in his December 11, 2007, review for theįinancial Times, and less dismissive critics expressed bafflement as Music but were hard on Griffiths's libretto. Reviews of the early productions tended to praise Carter's Its premiere in 1999 at the Deutsche Staatsoper Linter den Linden inīerlin. Griffiths and music by Elliott Carter, has had a mixed reception since What Next?, a comic opera in one act with a libretto by Paul APA style: Sense and sensibility: music on stage in what next?.Sense and sensibility: music on stage in what next?." Retrieved from
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